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Thirty years on polyphony is widely celebrated as the country's cultural expression - more than any other art form.

Dorothy Carrington, doyenne of living Corsican chroniclers described singers of polyphony, who "...never...

The paghjella is often (wrongly) seen as synonymous with polyphony.Other pages: Home Page |FAQs| Corsican Websites | Travel to Corsica | Corsica's Climate & Weather | Public Life in Corsica | Corsican Tastes & Scents | Corsican Language | Mystique of Corsica | Corsica's Mountains and Coast | Business in Corsica | British & American Connections with Corsica | Newsletters | A significant, though not the only aspect of Corsican traditional music is polyphony (many voices): unaccompanied (a capella) singing by small groups of three to eight or nine people.It is closely associated with the island's identity and its rebirth coincided with the resurgence (riaquistu) of national political ambition in the seventies.It is a profane song form that is applied to seduction, satire, lamentation or other strong emotions.Generally without the kind of popularly expressed notion of rhythm, polyphony is often referred to as the song of a free people.

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