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It is a characteristic that Sinatra, without admission, seems to prefer: All the Way; All or Nothing at All. Il Padrone.[pullquote align='C']The most distinguishing thing about Sinatra's face are his eyes, clear blue and alert, eyes that within seconds can go cold with anger, or glow with affection, or, as now, reflect a vague detachment that keeps his friends silent and distant.[/pullquote]I had seen something of this Sicilian side of Sinatra last summer at Jilly's saloon in New York, which was the only other time I'd gotten a close view of him prior to this night in this California club.
This is the Sicilian in Sinatra; he permits his friends, if they wish to remain that, none of the easy Anglo-Saxon outs. Jilly's, which is on West Fifty-second Street in Manhattan, is where Sinatra drinks whenever he is in New York, and there is a special chair reserved for him in the back room against the wall that nobody else may use.
And for a few moments they gazed in silence through the smoke and they stared.But when it gets to Sinatra it can plunge him into a state of anguish, deep depression, panic, even rage. Sinatra with a cold is Picasso without paint, Ferrari without fuelonly worse.For the common cold robs Sinatra of that uninsurable jewel, his voice, cutting into the core of his confidence, and it affects not only his own psyche but also seems to cause a kind of psychosomatic nasal drip within dozens of people who work for him, drink with him, love him, depend on him for their own welfare and stability.They sat, legs crossed, perched on the high bar stools. Then one of them pulled out a Kent and Sinatra quickly placed his gold lighter under it and she held his hand, looked at his fingers: they were nubby and raw, and the pinkies protruded, being so stiff from arthritis that he could barely bend them. He wore an oxford-grey suit with a vest, a suit conservatively cut on the outside but trimmed with flamboyant silk within; his shoes, British, seemed to be shined even on the bottom of the soles.He also wore, as everybody seemed to know, a remarkably convincing black hairpiece, one of sixty that he owns, most of them under the care of an inconspicuous little grey-haired lady who, holding his hair in a tiny satchel, follows him around whenever he performs. The most distinguishing thing about Sinatra's face are his eyes, clear blue and alert, eyes that within seconds can go cold with anger, or glow with affection, or, as now, reflect a vague detachment that keeps his friends silent and distant.